Once a track has been “committed”, the software basically prints the audio coming out of the track that contains the inserts, volume and pan automation, sends and groups assignments, into a new track. This method is based on the Pro Tool’s function “Track Commit”. This time, we will be explaining another method that happens to be more “aggressive” but it can certainly improve the CPU resources to the maximum.

On previous tutorials we have explained how to avoid these situations by “freezing” the track. Often times during the mixing process of a song, the engineer might encounter a situation in which there are so many tracks with active inserts in the session, that the CPU resources of the computer are considerably reduced, yielding several problems related to delay compensation and potentially crashing the computer. The following tutorial shows the user how to commit a track in Pro Tools.ĬLICK HERE to learn Avid Pro Tools one on one with a digital audio professional at OBEDIA.

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